Request Access. View Community Hub. A fans! We are aiming to open A. A on the Planned Release Date! We are launching Ava on Steam at the request of many global fans! Enjoy the classic FPS game once again with redesigned features! Class system Each class has unique advantages and disadvantages against other classes.
Players are able to acquire skills to enhance the unique characteristics of the classes they choose. Pointman Specialized in close-range combat, Pointman is a fast and agile member of a team. Pointman's main roles are reconnaissance and attacking enemies from their backs. When your enemy needs a "nice" surprise, Pointman is there to deliver them a lethal present. Rifleman Equipped with Assault Rifles AR , bullet stopping armor, and throwable items, rifleman brings destruction to the enemy.
Riflemans can respond to any types of situations on the battlefield by engaging and neutralizing the enemy. Your enemy team can run, but they can't hide from the Rifleman.
Snipers provide effective attack and defense of certain areas by taking down enemies and protecting teammates. Before being destroyed, your enemy team won't even know they are being watched.
Modes Annihilation - Based on the death match rule, players on two opposing teams need to reach a score within a limited time. EU forces must successfully plant and detonate the bomb, or eliminate the enemy team to win a round. The EU forces must escort the tank to the goal. When the tank is damaged, it must be repaired to move on. Domination - Both teams compete for domination over a target. The team with higher domination gauge or the one in control of the target when both sides have the same gauge will win.
Ioan Gruffudd Peter. Diana Silvers Camille. Tate Taylor Director. Matthew Newton Screenwriter. Kelly Carmichael Producer. Nicolas Chartier Producer. Jessica Chastain Producer. Jonathan Deckter Executive Producer. William Earon Executive Producer.
Erika Hampson Executive Producer. John Norris Executive Producer. Stephen Goldblatt Cinematographer. Zach Staenberg Film Editor. Bear McCreary Original Music. Molly Hughes Production Design. Justine Follansbee Set Decoration. Megan Coates Costume Designer. Neely Eisenstein Casting. View All Critic Reviews Mar 08, At least MA was a weird ass digression.
I mean, having some of this insanely amateur camera work cover a subject as familiar and refined as Jessica Chastain is not only off-putting, but amplifies the clumsy and incompetent aspects of the filmmaking.
All bad things aside, there is a legitimately solid moment of tension between John Malkovich and Colin Farrell's characters yeah, the movie has a damn cast that leads to one of the few tactile fight sequences the movie otherwise throws out like scraps to a pig, but at the same time this thing is mostly a hard-boiled genre flick with a pinch of a Hallmark homecoming movie thrown in and The two don't mix well. We do get the origin story in the opening credits as opposed to being told we've finally arrived at who Ava was always meant to be just before the end credits roll, but we still get the set-up for a sequel that will never happen in which Diana Silvers would seek revenge and likely die at the hands of our titular heroine.
There is a kernel of an idea here for an anthology series about how there's always a bigger fish and how fulfillment of a self-prophecy doesn't lead to any further happiness in life, but even that would come down to rote, mediocre genre junk and I just couldn't care any less about these characters. The Porta Potty bit is a nice little touch, but don't you think having someone sit outside kind of undoes the point?
Philip P Super Reviewer. Oct 09, The top heavy cast carries this all-too-familiar trope home despite the cobwebs on the plot, which are offset some by the hinted at trouble-at-home-when-young angle. Kevin M. W Super Reviewer. See all Audience reviews. There are no approved quotes yet for this movie. Best Horror Movies. Worst Superhero Movies. Best Netflix Series and Shows. Go back. More trailers. Dexter: New Blood: Season 1. The Shrink Next Door: Season 1.
No Score Yet. Yellowstone: Season 4. There's plainly some kind of secret, mortifying connection between Ava and Michael you can tell by how they look at each other that'll be revealed in due time. Ava and Bobbi can barely open their mouths without hurting each other. Matthew Newton's script has a keen ear for little throwaway lines that reveal dysfunction—as when Ava stands on a chair to fix a TV in Bobbi's hospital room, and instead of "Thank you," Bobbi says "Guess there was nothing wrong with it.
The strongest scene in the film is a game of hearts between Ava and her mother, played at a small table against a window. Davis' presence in the movie at first seems like a clever bit of meta-minded stunt casting: 26 years earlier, she starred in " The Long Kiss Goodnight ," an ahead-of-its-time crash-and-burn action flick about a female assassin named Charley Baltimore; Chastain's wig in the first scene seems deliberately Charley-esque.
But it soon becomes clear that Davis is in the cast because she's a great actress and movie star. Bobbi dances around catharsis, refusing to give Ava the vulnerability she craves, then reversing herself, the floodgates opening. Chastain hangs back, letting Davis take the scene; what else can you do when your acting partner is doing some of the best work of her life?
The actresses are so real here, and in all of the other Ava-Bobbi scenes, that you momentarily forget that this is the kind of film where people kill each other barehanded. There's also a rich though underdeveloped sub-theme having to do with addiction. Many characters in "Ava" are either addicts or in recovery, for everything from alcohol and drugs to gambling. It's implied that the endorphin rush of extreme risk and sudden violence can amplify or partially replace whatever the assassins might do or consume elsewhere in their lives.
Conversations between Duke and Simon make it clear that so-called "black ops" organizations hire addicted or addictive people because, having experienced chaos, or still being in the middle of it, they crave direction, attention, and approval. Even outwardly "normal" agency employees like Simon, with his big house and loving children, has a nihilistic or destructive streak that needs to be satisfied.
And most of the ground-level killers like Ava and Joan Chen's Toni are fringe-dwellers, existing in the margins of respectable society or beneath their radar far beneath, in Toni's case; she manages a secret nightclub and sex club with a hidden entrance disguised as a portable toilet. Whatever her motivation for saying yes to "Ava," Chastain who also coproduced deserves credit for backing a project that does its own thing, seemingly without regard for what the audience wants, and that ends with a scene that'll prompt "What the hell was that?
0コメント